节拍音乐
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| Beat |
|---|
| 曲風起源 |
英式摇滚、流行音樂、凱爾特音樂、嘟-喔普、节奏布鲁斯、噪音爵士乐
|
| 文化起源 |
1950年代末到1960年代初的英国
|
| 典型樂器 |
吉他、贝斯、架子鼓、人声、电子琴、口琴
|
| 普遍程度 |
1964年至1967年间取得世界范围的流行 |
| 延伸曲風 |
車庫搖滾、强力流行、流行朋克、英伦摇滚、Yé-yé、迷幻搖滾、Group Sounds（日本）、Wong shadow、string (Thai pop)
|
| 子類別 |
|---|
Freakbeat
|
| 区域特色 |
|---|
默西節拍（默西賽德郡）
布鲁姆节拍乐（伯明翰）
尼德节拍乐（荷兰）
托特汉姆之声（伦敦） |
| 其他主題 |
|---|
英國入侵、Carnaby Street、Swinging London
|
节拍音乐（英语：Beat Music）、英国节拍乐（英语：British Beat）或默西節拍（英语：Merseybeat）（特指来自默西河畔的利物浦和曼彻斯特的乐队）是一种属于流行乐和摇滚乐的音乐流派，形成于1960年代早期的英国。节拍音乐是摇滚（rock and roll）、嘟-喔普、噪音爵士乐和节奏布鲁斯这几种类型的融合。这一流派中诞生了制造“英國入侵”风潮的许多乐队，他们从1964年起占领了美国流行乐榜单，并对日后流行乐和摇滚乐的发展有重要影响，包括树立了摇滚乐队的典型形态——由主音吉他、节奏吉他、贝斯吉他和架子鼓组成。
术语使用
“节拍音乐”和“默西之声”这两个名称的确切来源不明。“节拍音乐”的名称似乎与1950年代文学运动“垮掉的一代”（Beat Generation）有关，与之更相关的是驱动性的节奏，受到摇滚（Rock and roll）、节奏布鲁斯和灵魂乐的影响。1950年代末，最初的摇滚风潮在“big beat”音乐中衰退，后简称为“beat”，成为现场舞曲的选择。[1]
代表乐队
默西之声乐队
披头士乐队[2]
- The Big Three
- The Cryin' Shames
Lee Curtis and the All-Stars[2]
- The Dakotas
- Derry and the Seniors
- The Escorts
The Fourmost[2]
Gerry and the Pacemakers[2]
Billy J. Kramer[2]
The Liverbirds[2]
The Merseybeats[2]
The Mindbenders[2]
- The Mojos
- Rory Storm and the Hurricanes
- Kingsize Taylor and the Dominoes
The Searchers[2]
The Swinging Blue Jeans[2]
The Undertakers[2]
其他英国节拍乐乐队
- The Applejacks
- Cliff Bennett and the Rebel Rousers
- 戴夫·克拉克五人組
- Freddie and the Dreamers
Herman's Hermits[2]
赫里斯合唱團[2]
- Brian Poole and the Tremeloes
- 殭屍合唱團
脚注
^ B. Longhurst, Popular Music and Society (Polity, 2nd edn., 2007), ISBN 0-7456-3162-2, p. 98.
^ 2.002.012.022.032.042.052.062.072.082.092.102.112.12 "Merseybeat (Top Artists)", Allmusic, retrieved 5 February 2011.
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