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Solaris

Cover of the first edition
Author	Stanisław Lem
Cover artist	K.M. Sopoćko
Country	Poland
Language	Polish
Genre	Science fiction
Publisher	MON, Walker (US)[1]
Publication date	1961
Published in English	1970
Media type	Print (hardcover and paperback) Audio
Pages	204
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OCLC	10072735
Dewey Decimal	891.8/537 19
LC Class	PG7158.L392 Z53 1985

Solaris is a 1961 philosophical science fiction novel by Polish writer Stanisław Lem. The central theme of the book is the complete failure of human beings to understand an extraterrestrial intelligence.

Overview

While probing and examining the oceanic surface of the planet Solaris from a hovering research station, a team of human scientists is, in turn, apparently being studied by the sentient planet itself, which probes for and examines the thoughts of the human beings who are analyzing it. Solaris manifests an ability to cast their secret, guilty concerns into a material form for each scientist to personally confront. All human efforts to make sense of Solaris' activities ultimately prove to be futile. As Lem wrote, "The peculiarity of those phenomena seems to suggest that we observe a kind of rational activity, but the meaning of this seemingly rational activity of the Solarian Ocean is beyond the reach of human beings".^[2] He also wrote that he deliberately chose the Ocean as a sentient alien to avoid any personification as well as the pitfalls of anthropomorphism in depicting first contact.^[3]

First published in Warsaw in 1961, the 1970 Polish-to-French-to-English translation of Solaris is the best-known of Lem's English-translated works.^[4] The novel has been adapted for the screen three times: in 1968; 1972; and 2002.^{[citation needed]}

Plot summary

Solaris chronicles the ultimate futility of attempted communications with the extraterrestrial life inhabiting a distant alien planet named Solaris. The planet is almost completely covered with an ocean of gel that is revealed to be a single, planet-encompassing organism. Terran scientists conclude it is a sentient being and attempt to communicate with it.

Kris Kelvin, a psychologist, arrives aboard Solaris Station, a scientific research station hovering near the oceanic surface of Solaris. The scientists there have studied the planet and its ocean for many decades, mostly in vain. A scientific discipline known as Solaristics has degenerated over the years to simply observing, recording and categorizing the complex phenomena that occur upon the surface of the ocean. Thus far, the scientists have only compiled an elaborate nomenclature of the phenomena, and do not yet understand what such activities really mean. Shortly before Kelvin's arrival, the crew exposed the ocean to a more aggressive and unauthorized experimentation with a high-energy X-ray bombardment. Their experimentation gives unexpected results and becomes psychologically traumatic for them as individually flawed humans.

The ocean's response to this intrusion exposes the deeper, hidden aspects of the personalities of the human scientists, while revealing nothing of the ocean’s nature itself. To the extent that the ocean's actions can be understood, the ocean then seems to test the minds of the scientists by confronting them with their most painful and repressed thoughts and memories. It does this via the materialization of physical simulacra, including human ones; Kelvin confronts memories of his dead lover and guilt about her suicide. The torments of the other researchers are only alluded to.

Characters

• The protagonist, Dr. Kris Kelvin, is a psychologist recently arrived from Earth to the space station studying the planet Solaris. He had previously been cohabiting with Harey ("Rheya" in the Kilmartin–Cox translation), who committed suicide when he abandoned their relationship. Her exact double is his visitor aboard the space station and becomes an important character.


• 
  Snaut ("Snow" in the Kilmartin–Cox translation) is the first person Kelvin meets aboard the station, and his visitor is not shown.


• 
  Gibarian, who had been an instructor of Kelvin's at university, commits suicide just hours before Kelvin arrives at the station. Gibarian's visitor was a "giant Negress" who twice appears to Kelvin; first in a hallway soon after his arrival, and then while he is examining Gibarian's cadaver. She seems to be unaware of the other humans she meets, or she simply chooses to ignore them.


• The last inhabitant Kelvin meets is Sartorius, the most reclusive member of the crew. He shows up only intermittently and is always suspicious of the other crew members. His visitor remains anonymous; Kelvin only gets a glimpse of a straw hat.


• 
  Harey ("Rheya" in the Kilmartin–Cox translation, an anagram of Harey), who killed herself with a lethal injection after quarreling with Kelvin, returns as his visitor. Overwhelmed with conflicting emotions after confronting her, Kelvin lures the first Harey visitor into a shuttle and launches it into outer space to be rid of her. Her fate is unknown to the other scientists. Snaut suggests hailing Harey's shuttle to learn her condition, but Kelvin objects. Harey soon reappears but with no memory of the shuttle incident. Moreover, the second Harey becomes aware of her transient nature and is haunted by being Solaris' means-to-an-end, affecting Kelvin in unknown ways. After listening to a tape recording by Gibarian, and so learning her true nature, she attempts suicide by drinking liquid oxygen. This fails because her body is made of neutrinos, stabilized by some unknown force field, and has both incredible strength and the ability to quickly regenerate from all injuries. She subsequently convinces Snaut to destroy her with a device developed by Sartorius that disrupts the subatomic structure of the visitors.

Criticism and interpretations

In an interview, Lem said that the novel "has always been a juicy prey for critics", with interpretations ranging from that of Freudism to anticommunism, the latter stating that the Ocean represents the USSR and the people on the space station represent the Soviet satellites. He also commented on the absurdity of the book cover blurb for the 1976 edition, which said the novel "expressed the humanistic beliefs of the author about high moral qualities of the human".^[5] Lem noted that the critic who promulgated the Freudian idea actually blundered by basing his psychoanalysis on dialogue from the English translation, whereas his diagnosis would fail on the idioms in the original Polish text.^[6]

English translation

Various translations of Solaris, including the English one.

Both the original Polish version of the novel (first published in 1961) and its original English translation are titled Solaris. Jean-Michel Jasiensko published his French translation in 1964 and that version was the basis of Joanna Kilmartin and Steve Cox's English translation in 1970^[7] (published by Walker & Co., and republished many times since).^{[citation needed]}

Lem, who read English fluently, repeatedly voiced his disappointment with the Kilmartin–Cox version, and it has generally been considered second-rate.^{[citation needed]} Since Lem sold his rights to the book to his Polish publishers, an improved English translation seemed unlikely. Always remaining in print, the rights never reverted to the author.^{[citation needed]}

A more recent direct translation by Bill Johnston has been attempting to overcome legal difficulties but has been released in audio form (2011).^{[citation needed]} There is also an Amazon Kindle edition (2014, ISBN 978-83-63471-41-5).

Reprints

• 
  
  ISBN 0-8027-5526-7 (1970)


• 
  
  ISBN 0-15-683750-1 (1987)


• 
  
  ISBN 0-15-602760-7 (2002)


• 
  
  ISBN 0-571-21972-1 (2003)

Adaptations

Audio

• In 2007, BBC Radio 4 broadcast a two-hour dramatized version of the novel.^[8]
  


• Also in 2007, an audio play was released in Russia on a CD-MP3 disc (226 minutes, 14 tracks).^[9]
  


• On 7 June 2011, Audible.com released the first direct Polish-to-English translation as an audiobook download narrated by Alessandro Juliani.^[10] The original Polish text was translated into English by Bill Johnston, with the approval of Lem's estate.^[11] An e-book edition (
  ISBN 978-1-937624-66-8) of the Johnston translation followed.^[12]
  

Theatre

• The 2009 Polish stage production Solaris: The Report (Polish: Solaris. Raport), TR Warszawa, Poland.^[13][14]
  


• The British stage production Solaris by Dimitry Devdariani (London, England, 2012).^[15]
  

Opera

• The German opera Solaris by Michael Obst (Munich Biennale, Germany, 1996).


• The Italian opera Solaris by Enrico Correggia (Torino, Italy, 2011).^[16]
  


• The Austrian opera Solaris by Detlev Glanert (Bregenzer Festspiele, Austria, 2012).


• The Japanese opera Solaris by Dai Fujikura and Saburo Teshigawara (Opéra de Lille, and travelling to other venues, 2015).

Cinema

Solaris has been filmed three times:

• 
  Solaris (1968), a Soviet TV play directed by Boris Nirenburg [ru], follows the plot quite closely and keeps the emphasis on the planet rather than the human relationships.


• 
  Solaris (1972), a Soviet feature-length film directed by Andrei Tarkovsky. The film loosely follows the novel's plot, emphasizing the human relationships instead of Lem's astrobiology theories — especially Kelvin's life on Earth prior to his space travel to the planet. The film won the Grand Prix at the 1972 Cannes Film Festival.


• 
  Solaris (2002), an American film directed by Steven Soderbergh, starring George Clooney and produced by James Cameron. This film also emphasizes the human relationships and again excludes Lem's scientific and philosophical themes.

Lem himself observed that none of the film versions depict much of the extraordinary physical and psychological "alienness" of the Solaris ocean. Responding to film reviews of Soderbergh's version, Lem, noting that he did not see the film, wrote:

Cultural allusions and works based on Solaris

• Musician Isao Tomita's 1977 album Kosmos, specifically the track The Sea Named "Solaris", is based on music by Bach featured in Tarkovsky's film. Tomita was inspired by the film and even sent his recording to Tarkovsky.^[17]
  


• Hungarian rock band Solaris named themselves after the novel.


• The Atari 2600 video game Solaris (1986).


• The 1990 Russian ballet Solaris by Sergey Zhukov [ru] (Dnepropetrovsk Opera and Ballet Theatre).^[18]
  


• The 1990 Russian drama Solaris. Дознание.


• The song "Solaris", composed by Ken Andrews, from space rock band Failure's 1996 album Fantastic Planet, summarizes some events from the novel.


• At the conclusion of the 1997 film Funny Games by Michael Haneke, Peter discusses with Paul the philosophical implications of Solaris.


• The song "Solaris" from musician Photek's 2000 album Solaris.


• The Macedonian multimedia project Solaris (Соларис) by Zlatko Slavenski (2007).^[19]
  


• The 2017 song "Solaris" by Australian post-rock band Fierce Mild.^[20]
  

See also

• 
  Fiasco – A science fiction novel by Polish author Stanisław Lem


• 
  His Master's Voice – 1968 science fiction novel by Stanisław Lem


• 
  The Invincible – 1964 science fiction novel by Polish writer Stanisław Lem


• 
  Ocean planet – Type of planet with a surface completely covered by an ocean of water

References

External links

Wikiquote has quotations related to: Solaris (novel)

Wikimedia Commons has media related to Solaris.

• 
  Solaris - Book Page on Stanisław Lem's Official Site.


• 
  Solaris - Essay by Stanisław Lem.


• 
  Solaris - Review/GioiaT.


• 
  Solaris - Study Guide/BriansS.


• 
  Solaris - Study Guide/HughesC.


• 
  Video - Solaris Opera (Torino, Italy, 2011) (Trailer, 00:53). + (Clip, 07:10).
  


• Video - Solaris Opera (Bregenz Festival, Austria, 2012) (Preview, 03:28).