Red Garland












































Red Garland

Red Garland 9A.jpg
Garland at Keystone Korner jazz club, San Francisco, California, May 1978

Background information
Birth name William McKinley Garland, Jr.
Born
(1923-05-13)May 13, 1923
Dallas, Texas, U.S.
Died April 23, 1984(1984-04-23) (aged 60)
Dallas, Texas, U.S.
Genres
Jazz, straight-ahead jazz, bebop, hard bop
Occupation(s) Musician
Instruments Piano
Years active 1940s–1984
Labels Prestige
Associated acts Miles Davis

William McKinley "Red" Garland, Jr. (May 13, 1923 – April 23, 1984)[1] was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of piano playing.[2][3]




Contents






  • 1 Early life


  • 2 Later life and career


    • 2.1 1955–58 – Miles Davis Quintet


    • 2.2 1958–84 – After the Miles Davis Quintet




  • 3 Playing style


  • 4 Partial discography


    • 4.1 As leader


    • 4.2 As sideman




  • 5 References


  • 6 External links





Early life


William "Red" Garland was born in 1923 in Dallas, Texas. He began his musical studies on the clarinet and alto saxophone but, in 1941, switched to the piano. Less than five years later, Garland joined a well-known trumpet player in the southwest - Hot Lips Page, playing with him until a tour ended in New York in March 1946. Having decided to stay in New York to find work, Art Blakey came across Garland playing at a small club, only to return the next night with Blakey's boss, Billy Eckstine.[4]


Garland also had a short-lived career as a welterweight boxer in the 1940s. He fought more than 35 fights, one being an exhibition bout with Sugar Ray Robinson.[5]



Later life and career



1955–58 – Miles Davis Quintet


Garland became famous in 1954 when he joined the Miles Davis Quintet, featuring John Coltrane, Philly Joe Jones, and Paul Chambers. Davis was a fan of boxing and was impressed that Garland had boxed earlier in his life. Together, the group recorded their famous Prestige albums, Miles: The New Miles Davis Quintet (1954), Workin, Steamin', Cookin', and Relaxin'. Garland's style is prominent in these seminal recordings—evident in his distinctive chord voicings, his sophisticated accompaniment, and his musical references to Ahmad Jamal's style. Some observers dismissed Garland as a "cocktail" pianist,[6] but Miles was pleased with his style, having urged Garland to absorb some of Jamal's lightness of touch and harmonics within his own approach.[7]


Garland played on the first of Davis's many Columbia recordings, 'Round About Midnight (1957). Though he would continue playing with Miles, their relationship was beginning to deteriorate. By 1958, Garland and Jones had started to become more erratic in turning up for recordings and shows. He was eventually fired by Miles, but later returned to play on another jazz classic, Milestones. Davis was displeased when Garland quoted Davis's much earlier, and by then famous, solo from "Now's The Time" in block chords during the slower take of "Straight, No Chaser". Garland walked out of one of the sessions for Milestones, so that on the track "Sid's Ahead", Davis comped behind the saxophone solos.



1958–84 – After the Miles Davis Quintet


In 1958, Garland formed his own trio. Among the musicians the trio recorded with are Pepper Adams, Nat Adderley (Cannonball Adderley's brother), Ray Barretto, Kenny Burrell, Eddie "Lockjaw" Davis, Jimmy Heath, Harold Land, Philly Joe Jones, Blue Mitchell, Ira Sullivan, and Leroy Vinnegar. The trio also recorded as a quintet with John Coltrane and Donald Byrd.[8]
Altogether, Garland led 19 recording sessions while at Prestige Records and 25 sessions for Fantasy Records. He stopped playing professionally for a number of years in the 1960s when the popularity of rock music coincided with a substantial drop in the popularity of jazz.


Garland eventually returned to his native Texas in the 1970s to care for his aged mother. He led a recording in 1977, named Crossings, which reunited him with Philly Joe Jones, and he teamed up with bassist Ron Carter. His later work tended to sound more modern and less polished than his better known recordings. He continued recording until his death from a heart attack on April 23, 1984 at the age of 60.[9]



Playing style


Garland's trademark block chord technique, a commonly borrowed maneuver in jazz piano today, was unique and differed from the methods of earlier block chord pioneers such as George Shearing and Milt Buckner. Garland's block chords were constructed of three notes in the right hand and four in the left hand, with the right hand one octave above the left. Garland's left hand played four-note chords that simultaneously beat out the same exact rhythm as the right-hand melody played. But unlike George Shearing's block chord method, Garland's left-hand chords did not change positions or inversions until the next chord change occurred. It is also worth noting that Garland's four-note left-hand chord voicings frequently left out the roots of the chords, a chord style later associated with pianist Bill Evans.



Partial discography



As leader























































































































































































































































































Year recorded
Title
Label
Personnel
1956

A Garland of Red
Prestige
Trio, with Paul Chambers (bass), Art Taylor (drums)
1956–57

Red Garland's Piano
Prestige
Trio, with Paul Chambers (bass), Art Taylor (drums)
1956–57

The P.C. Blues
Prestige
Most tracks trio with Paul Chambers (bass), Art Taylor (drums); one track trio with Chambers (bass), Philly Joe Jones (drums)
1956–57

Groovy
Prestige
Trio with Paul Chambers (bass), Art Taylor (drums)
1957

Red Garland Revisited!
Prestige
Most tracks trio, with Paul Chambers (bass), Art Taylor (drums); some tracks quartet, with Kenny Burrell (guitar) added; released 1969
1957

All Mornin' Long
Prestige
Quintet, with John Coltrane (tenor sax), Donald Byrd (trumpet), George Joyner (bass), Art Taylor (drums)
1957

Soul Junction
Prestige
Quintet, with John Coltrane (tenor sax), Donald Byrd (trumpet), George Joyner (bass), Art Taylor (drums)
1957

High Pressure
Prestige
Quintet, with John Coltrane (tenor sax), Donald Byrd (trumpet), George Joyner (bass), Art Taylor (drums)
1957–58

Dig It!
Prestige
One track trio, with Paul Chambers (bass), Art Taylor (drums); two tracks quintet, with John Coltrane (tenor sax), Donald Byrd (trumpet), George Joyner (bass), Taylor (drums); one track quartet, without Byrd
1958

It's a Blue World
Prestige
Trio, with Paul Chambers (bass), Art Taylor (drums); released 1970
1958

Manteca
Prestige
Quartet, with Paul Chambers (bass), Art Taylor (drums), Ray Barretto (congas)
1958

Can't See for Lookin'
Prestige
Trio, with Paul Chambers (bass), Art Taylor (drums); released 1963
1958

Rojo
Prestige
Quartet, with George Joyner (bass), Charlie Persip (drums), Ray Barretto (congas)
1958

The Red Garland Trio
Moodsville
Trio, with Paul Chambers (bass), Art Taylor (drums)
1958

All Kinds of Weather
Prestige
Trio, with Paul Chambers (bass), Art Taylor (drums)
1959

Red in Blues-ville
Prestige
Trio, with Sam Jones (bass), Art Taylor (drums)
1959

Coleman Hawkins with the Red Garland Trio
Moodsville
Quartet, with Coleman Hawkins (tenor sax), Doug Watkins (bass), Charles "Specs" Wright (drums)
1959

Satin Doll
Prestige
Most tracks trio with Doug Watkins (bass), Charles "Specs" Wright (drums); some tracks trio with Jimmy Rowser (bass), Taylor (drums); released 1971
1959

Red Garland Live!
Prestige
Trio, with Jimmy Rowser (bass), Charles "Specs" Wright (drums); in concert
1959

The Red Garland Trio + Eddie "Lockjaw" Davis
Moodsville
Most tracks trio, with Sam Jones (bass), Art Taylor (drums); some tracks quartet, with Eddie "Lockjaw" Davis (tenor sax) added
1959

Red Garland at the Prelude
Prestige
Trio, with Jimmy Rowser (bass), Charles "Specs" Wright (drums); in concert; released 1971
1959

Lil' Darlin'
Status
Trio, with Jimmy Rowser (bass), Charles "Specs" Wright (drums); in concert
1960

Red Alone
Moodsville
Solo piano
1960

Alone with the Blues
Moodsville
Solo piano
1960

Halleloo-Y'-All
Prestige
Trio, with Sam Jones (bass), Art Taylor (drums); Garland also plays organ
1960–61

Soul Burnin'
Prestige
Most tracks trio, with Sam Jones (bass), Art Taylor (drums); some tracks quintet, with Oliver Nelson (tenor sax, alto sax), Richard Williams (trumpet), Peck Morrison (bass), Charlie Persip (drums)
1961

Bright and Breezy
Jazzland
Trio, with Sam Jones (bass), Charlie Persip (drums)
1961

The Nearness of You
Jazzland
One track solo piano; most tracks trio, with Larry Ridley (bass), Frank Gant (drums)
1962

Solar
Jazzland
Most tracks trio, with Sam Jones (bass), Frank Gant (drums); some tracks quartet, with Les Spann (guitar, flute) added
1962

Red's Good Groove
Jazzland
Quintet, with Blue Mitchell (trumpet), Pepper Adams (baritone sax), Sam Jones (bass), Philly Joe Jones (drums)
1962

When There Are Grey Skies
Prestige
Trio, with Wendell Marshall (bass), Charlie Persip (drums)
1971

The Quota

MPS
Quartet, with Jimmy Heath (tenor sax, soprano sax), Peck Morrison (bass), Lenny McBrowne (drums)
1971

Auf Wiedersehen

MPS
Trio, with Sam Jones (bass), Roy Brooks (drums)
1974

Groovin' Live
Alfa Jazz
Trio, with James Leary (bass), Eddie Marshall (drums); in concert
1974

Groovin' Live II
Alfa Jazz
Trio, with James Leary (bass), Eddie Marshall (drums); in concert
1977

Keystones!
Xanadu
Trio, with Leroy Vinnegar (bass), Philly Joe Jones (drums); in concert
1977

Groovin' Red
Keystone
Trio, with Leroy Vinnegar (bass), Philly Joe Jones (drums); in concert
1977

Red Alert
Galaxy
Some tracks trio, with Ron Carter (bass), Frank Butler (drums); one track quartet, with Nat Adderley (cornet) added; two tracks sextet, with Harold Land and Ira Sullivan (tenor sax) added; one track quartet, with Sullivan, Carter, Butler
1977

Crossings
Galaxy
Trio, with Ron Carter (bass), Philly Joe Jones (drums)
1978

Feelin' Red
Muse
Trio, with Sam Jones (bass), Al Foster (drums)
1978

I Left My Heart...
Muse
Some tracks trio, with Chris Amberger (bass), Eddie Moore (drums); some tracks quartet, with Leo Wright (alto sax) added; in concert; released 1985
1978

Equinox
Galaxy
Trio, with Richard Davis (bass), Roy Haynes (drums)
1979

Stepping Out
Galaxy
Some tracks trio, with Ron Carter (bass), Ben Riley (drums); some tracks quartet, with Kenny Burrell (guitar) added
1979

So Long Blues
Galaxy
Some tracks trio, with Ron Carter (bass), Ben Riley (drums); two tracks quartet, with Kenny Burrell (guitar) added; some tracks quintet, with Julian Priester (trombone), George Coleman (tenor sax) added; released 1984
1979

Strike Up the Band
Galaxy
One track quartet with Julian Priester (trombone), Ron Carter (bass), Ben Riley (drums); one track quartet with George Coleman (tenor sax), Carter (bass), Riley (drums); three tracks quintet, with all listed

Compilations



  • Rediscovered Masters (Prestige 1958-1961; released 1977)


As sideman


With Arnett Cobb




  • Sizzlin' (Prestige, 1960)


  • Ballads by Cobb (Moodsville, 1960)


With John Coltrane




  • John Coltrane with the Red Garland Trio (Prestige 1957; reissued as Traneing In)


  • Soultrane (Prestige 1958)


  • Lush Life (Prestige 1961)


  • Settin' The Pace (Prestige 1961)


  • The Believer (Prestige 1964)


  • The Last Trane (Prestige 1965)


With Miles Davis




  • The Musings of Miles (Prestige 1955)


  • Miles: The New Miles Davis Quintet (Prestige 1955)


  • Cookin' with The Miles Davis Quintet (Prestige 1956)


  • Relaxin' with The Miles Davis Quintet (Prestige 1956)


  • Workin' with The Miles Davis Quintet (Prestige 1956)


  • Steamin' with The Miles Davis Quintet (Prestige 1956)


  • 'Round About Midnight (Columbia 1957)


  • Milestones (Columbia 1958)


With Curtis Fuller



  • Curtis Fuller with Red Garland (Prestige 1957)

With Jackie McLean



  • McLean's Scene (Prestige 1956)

With Art Pepper



  • Art Pepper Meets the Rhythm Section (Contemporary 1957)

With Sonny Rollins



  • Tenor Madness (Prestige 1956)

With Phil Woods



  • Sugan (Prestige Status, 1957)


References





  1. ^ Dobbins, Bill; Kernfeld, Barry (2002). "Garland, Red". In Barry Kernfeld. The New Grove Dictionary of Jazz, vol. 2 (2nd ed.). New York: Grove's Dictionaries Inc. p. 14. ISBN 1561592846..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:"""""""'""'"}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}


  2. ^ Yanow, Scott. "Red Garland Biography". AllMusic. All Media Network. Retrieved 28 August 2016.


  3. ^ Simpson, Joel. "Red Garland Profile". All About Jazz. Retrieved 28 August 2016.


  4. ^ Seeing Red. Texas Monthly. 1977-03-01.


  5. ^ Szwed, John (2004-01-09). So What: The Life of Miles Davis. Simon and Schuster. ISBN 9780684859835.


  6. ^ Giddins, Garry (April 3, 1978). "Red Garland's Texas Cocktail". The Village Voice. p. 49.


  7. ^ Mathieson, Kenny (2012). Giant Steps: Bebop And The Creators Of Modern Jazz, 1945-65. Canongate Books. p. 209. ISBN 978-0-85786-617-2.


  8. ^ "Discogs.com". Discogs.com. Retrieved 2017-02-25.


  9. ^ Pareles, John (26 April 1984). "Red Garland, a Pianist in Miles Davis Quintet". The New York Times.




External links



  • "Red's Bells," an in-depth analysis by Ethan Iverson

  • Discography at jazzdisco.org


  • Red Garland on IMDb


  • Red Garland at Find a Grave










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